I never new
Aristotle was the one who invented pathos, logos, and ethos. Does that make me
ignorant? I hope not. Basically, Aristotle has the three mechanisms with which
to accomplish Heinrichs’s second “step” of persuasion: changing the person’s
mind. In order to do this, you have to appeal to them in one way or another.
Your arguments have to include character, logic, or emotion. Of course,
whichever one you choose has to have inner ties with the person’s persona, it
has to mean something to the person’s goals and priorities. In other words, If
I were trying to persuade Opera to go pick up dog crap in a cemetery, well, my
argument would probably use ethos because she seems like the type of person
that places a lot of importance on her character, on how moral she is as a
person. If I were trying to convince a Physics teacher whose life is based on
logic and facts to do the same thing, I’d probably go with logos and argue that
doing such a thing would be preferable to the looming dinner with his in laws.
He’d logically assert that said in law dinners were brain-cell killers that
left his ears bleeding, and choose to go to the former. If I was trying to
appeal to a love-struck teenage girl with an eerie obsession with Justin
Bieber, I’d probably tell her that Justin Bieber has a penchant for girls who
pick up dog defecate in a cemetery. If my overall observing skills are anything
to judge by, I wouldn’t even need to say that Justin Bieber would somehow know
she did such a thing, most crazed fans just do whatever their perfect stars
like, hoping that they will somehow know. The gist of this whole concept is
that you have to know what type of argument to use that will be most effective
in the person you are trying to convince. Knowing the person really will, knowing
their values and their aspirations, will make this a lot easier.
The one thing
that has to be the same for all of these is that you do them in a very subtle
manner. Use these to appeal to the person, to convince them it is what they
want. Apparently, Cicero hinted that “the great orator transforms himself into
an emotional role model, showing the audience how it should feel.” To do this,
you have to firstly sympathize with them, “align yourself with the listener’s
pathos.” Heinrichs clarifies that “you don’t have to share the mood”; in other
words, if an angry old salesman is in a bad mood with his eyes bleeding red and
his veins practically bursting from the seams of his flesh, don’t share his
mood and become Hulk personified. Use “rhetorical sympathy”. Show them, in
whatever way you please, that you care, and try to slowly mold their emotions
into those that make them liable to change. Logos, pathos, and ethos are the “megatools
of rhetoric.” So if you’re ever in dire need of manipulating someone, you have
all the resources you need. You’re welcome.
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